![]() ![]() Because Curran celebrated his thirty-ffith birthday during the course of the exhibition, the coveted prize was revoked. ![]() When exhibited at the National Academy of Design in 1896, At the Sculpture Exhibition received the prestigious first place Hallgarten Prize, an award reserved for artists under the age of thirty-five. ![]() The correct date for this painting is 1895, not the 1893 that can be seen inscribed at its lower right. Curran was studying at the Art Students League at the same time that Cox was presiding over the antique classes. The man seated at the left is probably the contemporary painter and critic Kenyon Cox, who considered Rodin to be the greatest nineteenth-century sculptor. John the Baptist is Charles Courtney Curran himself, and his wife, Grace Wickham Curran, sits on the pouf holding a guidebook. Standing to the left of Auguste Rodin's Head of St. Critics had often compared the United States unfavorably to France, where sculpture, as a highly regarded art form, enjoyed significant government patronage. The National Sculpture Society was founded in 1893 to encourage the appreciation and sale of work by American sculptors. This painting is an almost documentary account of the National Sculpture Society's Second Annual Exhibition of 1895, held in the American Fine Arts Society Building in New York City. ![]()
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